Combating Compassion Fatigue Essay Example for Free

Combating Compassion Fatigue Essay The nursing profession is a complex field that can challenge you mentally, physically, emotionally, and spiritually. People who go into the field of nursing have daily interacts with patients’ and families in need of medical help and guidance. Nurses face numerous challenges on a daily basis and must be able to handle not only their patients’ issues, but remain strong and healthy to avoid compassion fatigue and burnout. Compassion fatigue is defined as emotional, spiritual, and physical exhaustion resulting from â€Å"witnessing and absorbing the problems and suffering of others† (Wisniewski, 2013). Compassion fatigue can lead to burnout with one’s professional career and affect home life. Caregivers can also be affected by compassion fatigue and burnout from the roles that they play with their loved ones. It is vital to be able to identify the warning signs of compassion fatigue and burnout. This is a battle that can be â€Å"fought with a commitment to personal health and well-being† (Chapman, 2007). Health care professionals and caregivers need to be able to find a balance and maintain health in their own spiritual, physical, mental, and emotional lives to assist patient’s to optimal care. Strategies on stress management, healthy lifestyle choices, and resources available will be discussed to help prevent and manage these issues. â€Å"Nurses are the backbone of the medical system and act as the first line of patient medical care† (Chen et al., 2009). Dealing and coping with stress is vital for nurses to maintain to provide adequate care. Compassion fatigue is a feeling of hopelessness and a loss in the sense of meaning in one’s life. Symptoms can be â€Å"strong feelings of anxiety, difficulty concentrating, being jumpy or easily startled, irritability, difficulty sleeping, excessive emotional numbing, and intrusive images of another’s traumatic material† (Portnoy, 2011). These symptoms need to be recognized to receive help or they can progres s to long-term effects and  complications. There are five concepts of compassion fatigue that need to be addressed to help with prevention and burnout. The first concept is cognitive; symptoms can be apathy, disorientation, trouble concentration, and harshness. The second concept is emotional; signs can be anxiety, fear, helplessness, feelings of powerlessness, depression, having bad dreams, and shock. The third concept is behavioral which can be lack of sleep, moody, change in appetite, withdrawn, and repeatedly having bad dreams. The fourth concept is spiritual. This area can lead the individual to question their role in life and their profession, feelings of being lost, and questioning faith and personal beliefs. The last concept is somatic, meaning affecting one’s voluntary nervous system. This can cause rapid heartbeats, trouble breathing, headaches, aches and pains, trouble staying or falling asleep, and sweating (Portnoy, 2011). There are numerous factors that can lead up to and cause compassion fatigue. Triggers can be issues with management such as nursing acuity, patient to nurse ratios, overworked nurses, personal issues, lack of support from coworkers or bosses, and loss of the feeling that the nurse is making a difference. To combat these factors in nurses and other employees in health care, managers and organizations need to be aware of this dynamic issue and offer help (Portnoy, 2011). Creating an open environment along with education and training on how to deal with these complex issues is the first step to addressing compassion fatigue within the workplace. Group meetings within the workplace will offer the nurses a chance to share their thoughts and feelings, realizing that they are not alone. Building bonds with coworkers and sharing patient experiences will help to encourage positive healthy habits. Self-care is vital for nurses to maintain to keep life in balance and to adequately take proper care of our patients. Everybody has stress, learning how to deal with it is the key to happiness and a healthy well-being. Nurses are constantly educating our patient’s on lifestyle changes needed to maintain health such as a proper diet, exercise, and a strong support system. We in turn need to practice what we preach and maintain our health to be at our best to help our patients achieve their best. Burnout and compassion fatigue are sometimes talked about as one, but there are differences. Burnout is â€Å"state of emotional, mental, and physical exhaustion caused by excessive and prolonged stress† (Preventing Burnout, n.d.). Signs of burnout can be depression or  detachment, emotions are rigid, loss of hope and motivation, and a feeling of not worthy of living. Burnout can be caused by lifestyles or work-related issues. Working in an environment that you feel like you have no control or lack of resources can lead to burnout. Self-care is needed to maintain positive outlets to express one’s stress to avoid burnout in one’s personal life. There are physical, emotional, and behavioral signs of burnout. Physical signs are feelings of being tired all the time, being sick a lot, change in sleeping habits, body aches, and frequent headaches. Emotional signs can be loss of motivation, feelings of helplessness, feelings of detachment, sense of doubt, and an increased negative outlook in life. Behavioral signs can be isolation from others, avoidance of responsibilities, drug or alcohol abuse, missing work, and anger directed at others (Preventing Burnout, n.d.). There are several ways to help prevent burnout. Learning how to manage stress and adopting a positive healthy eating, sleeping, and exercising habits are good examples to start with. It is important to know when you need help and that it is available. Burnout can lead to compassion fatigue within your professional career. Nurses who are tired, overworked, and stress out over time without help can suffer from burnout and in turn fall into compassion fatigue. Nurses need compassion to help guide patients in their medical situations, if the nurse is stressed out and needing help herself then how can she guide the patient? Burnout can be healed, addressing the issues and finding â€Å"your balance by reassessing priorities, making time for yourself, and seeking support† (Preventing Burnout, n.d.). There is a three â€Å"R† approach when dealing with burnout; recognize, reverse, and resilience. Recognition of burnout, reversal of the damage caused from stress, and building resilience to deal with the stress by taking care of one’s emotional, mental, physical, and spiritual health. Identification is one step into addressing compassion fatigue and burnout. One can recover from burnout. There are three strategies that one should remain mindful of, slow down, get support, and reevaluate your goals and priorities (Preventing Burnout, n.d.). When dealing with job burnout there are a few options that you can do to improve the circumstances. Taking time off, asking for a new assignment, speaking with management about issues, and clarifying your job duties are a few suggestions to start with. Caregiver burnout can happen to anyone at any  given time. The roles of caregivers are equally important like that of nursing. Caregivers are responsible for the direct care of a loved one and can experience compassion fatigue as well as burnout. Being involved with a loved one’s care can cause physical, mental, emotional, and spiritual distress. The health of the caregivers is important for the success of the one who is receiving the care. Promoting policies and interventions that will help the caregivers to avoid emotional exhaustion is the goal. Caregivers need to remain aware of their needs and beliefs and know when to ask for help should they need it. Education is the start to helping patients, families, and caregivers; talking about compassion fatigue and burnout allows people to see that they are not alone and that help is available. There are numerous resources available to assist those seeking help such as The Gift from Within organization that specializes in helping people deal with trauma and stress. There is also a Compassion Fatigue organization that aims at educating people on how important self-care is and how vital it is to know the signs and symptoms (Portnoy, 2011). In conclusion, compassion fatigue is the loss of self and burnout is the emotional exhaustion that one can feel. Nurses and health care professionals are at higher risks of having these issues come up; however caregivers can suffer from these issues just as easily. The goal to combating these topics is to bring awareness to them and to continue educating people on the ways to handle them. Sometimes asking for help is hard, but it is the first step in the right direction to becoming a healthy well-being who can handle stress. Seeking guidance from professionals will benefit the person in distress as well as their families. To be emotionally, physically, mentally, and spiritually sound one must take care of themselves in all aspects of life. One must have compassionate caring, empathic boundaries, self-awareness, spirituality and hope, and self-forgiveness to succeed in life (Bush, 2009). References Bush, N. (2009). Compassion fatigue: are you at risk? Oncology Nursing Forum, 36(1), 24-28. doi:10.1188/09.ONF.24-28 Chapman, E. (2007). Radical loving care: Building the healing hospital in America. Nashville, TN: Vaughn Printing Chen, C., Lin, C., Wang, S., Hou, T. (2009). A study of job stress, stress coping strategies, and job satisfaction for nurses working in middle-level hospital operating rooms. Journal Of Nursing Research (Taiwan Nurses Association), 17(3), 199-211. doi:10.1097/JNR.0b013e3181b2557b Portnoy, D. (2011). Burnout and Compassion Fatigue Watch for the Signs. Journal of the Catholic Health Association of the United States, 47-51. Retrieved January 20, 2015, from http://www.compassionfatigue.org/pages/healthprogress.pdf Preventing Burnout. (n.d.). Retrieved January 20, 2015, from http://www.helpguide.org/articles/stress/preventing-burnout.htm Wisniewski, L. (2013, February 5). What is Nursing Stress, Burnout, or Compassion Fatigue? Retrieved January 20, 2015, from http://www.nursetogether.com/what-is-nursing-stress-burnout-or-compassion-fatigue

Crushed Dreams in The Glass Menagerie Essay -- Glass Menagerie essays

Crushed Dreams in The Glass Menagerie      Ã‚  Ã‚   Tennessee Williams is known for his use of symbols, tension, and irony. Williams uses all of these components to express the central theme of The Glass Menagerie - hope followed by despair. Each of the characters has dreams that are destroyed by the harsh realities of the world.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   As the narrator blatantly admits, 'since I have a poet's weakness for symbols', symbols are central to The Glass Menagerie (Williams 30). Symbols are merely concrete substitutions used to express a particular theme, idea, or character. One major symbol is the fire escape which has a separate function for each of the characters. This fire escape provides a means of escape for Tom from his cramped apartment and nagging mother. Therefore, the fire escape for him represents a path to the outside world. For the gentleman caller, the fire escape provides the means through which Jim can enter the Wingfield apartment, thus entering their lives. For Amanda, the fire escape allows Jim to come into the apartment and prevent Laura from becoming a spinster. The significance of the fire escape for Laura is that it is her door to the inside world in which she can hide. It is ironic that when Laura does leave the security of her apartment, she falls. This symbolises Laura's inability to function properly in the outside world.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Another recurring symbol is the glass menagerie which represents Laura's hypersensitive nature and fragility. Laura is just as easily broken as a glass unicorn - and just as unique. When Jim accidentally bumps into the unicorn and breaks it, the unicorn is no longer unique. Likewise, when Jim kisses Laura and then shatters her hopes by telling her he's eng... ...ructure of the entire play -   an ironic pattern of romantic expectations, momentary fulfilment, and ultimate loss' (Thompson 13).    Works Cited and Consulted Bloom, Harold. Introduction. Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 1-8. King, Thomas L. "Irony and Distance in The Glass Menagerie." In Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 85-94. Levy, Eric P. "'Through Soundproof Glass': The Prison of Self Consciousness in The Glass Menagerie." Modern Drama, 36. December 1993. 529-537. Thompson, Judith J. Tennessee Williams' Plays: Memory, Myth, and Symbol. New York: Peter Lang, 1989. Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.    Crushed Dreams in The Glass Menagerie Essay -- Glass Menagerie essays Crushed Dreams in The Glass Menagerie      Ã‚  Ã‚   Tennessee Williams is known for his use of symbols, tension, and irony. Williams uses all of these components to express the central theme of The Glass Menagerie - hope followed by despair. Each of the characters has dreams that are destroyed by the harsh realities of the world.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   As the narrator blatantly admits, 'since I have a poet's weakness for symbols', symbols are central to The Glass Menagerie (Williams 30). Symbols are merely concrete substitutions used to express a particular theme, idea, or character. One major symbol is the fire escape which has a separate function for each of the characters. This fire escape provides a means of escape for Tom from his cramped apartment and nagging mother. Therefore, the fire escape for him represents a path to the outside world. For the gentleman caller, the fire escape provides the means through which Jim can enter the Wingfield apartment, thus entering their lives. For Amanda, the fire escape allows Jim to come into the apartment and prevent Laura from becoming a spinster. The significance of the fire escape for Laura is that it is her door to the inside world in which she can hide. It is ironic that when Laura does leave the security of her apartment, she falls. This symbolises Laura's inability to function properly in the outside world.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Another recurring symbol is the glass menagerie which represents Laura's hypersensitive nature and fragility. Laura is just as easily broken as a glass unicorn - and just as unique. When Jim accidentally bumps into the unicorn and breaks it, the unicorn is no longer unique. Likewise, when Jim kisses Laura and then shatters her hopes by telling her he's eng... ...ructure of the entire play -   an ironic pattern of romantic expectations, momentary fulfilment, and ultimate loss' (Thompson 13).    Works Cited and Consulted Bloom, Harold. Introduction. Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 1-8. King, Thomas L. "Irony and Distance in The Glass Menagerie." In Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 85-94. Levy, Eric P. "'Through Soundproof Glass': The Prison of Self Consciousness in The Glass Menagerie." Modern Drama, 36. December 1993. 529-537. Thompson, Judith J. Tennessee Williams' Plays: Memory, Myth, and Symbol. New York: Peter Lang, 1989. Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.   

Sculpture in the Indian subcontinent

Sculpture in the Indian subcontinent From Wisped, the free encyclopedia Part of a series on the Culture of India History People Languages Mythology and folklore[show] Cuisine Festivals Religion Art[show] Literature[show] Music and performing arts[show] Media[show] Sport Monuments[show] Symbols[show] Culture portal India portal Bronze Vishnu Gain figure of Thirthankarasuparshvanath, 14th century, marble One of the first representations of the Buddha, 1st-2nd century CE, Kandahar The first known sculpture in the Indian subcontinent is from the Indus Valley civilization (3300-1700 SC), found in sites at Enjoy-dare and Harp in modern- ay Pakistan. These include the famous small bronze female dancer.However such figures in bronze and stone are rare and greatly outnumbered by pottery figurines and stone seals, often of animals or deities very finely depicted. After the collapse of the Indus Valley civilization there is little record of sculpture until the Buddhist era, apart from a hoard o f copper figures of (somewhat controversially) c. 1500 BCC from Diamond. [l] Thus the great tradition of Indian monumental sculpture in stone appears to begin relatively late, with the reign of Soak from 270 to 232 BCC, and he Pillars of Shook he erected around India, carrying his edicts and topped by famous sculptures of animals, mostly lions, of which six survive. 2] Large amounts of figurative sculpture, mostly in relief, survive from Early Buddhist pilgrimage status, above all Ashcan; these probably developed out of a tradition using wood that also embraced Hinduism. [3] During the 2nd to 1st century BCC in far northern India, in the Greece-Buddhist art of Kandahar from what is now southern Afghanistan and northern Pakistan, sculptures became more explicit, representing episodes of the Buddha life and teachings. Although India had a long sculptural tradition and a mastery of rich iconography, the Buddha was never represented in human form before this time, but only through some of his symbols. This may be because Ghanaian Buddhist sculpture in modern Afghanistan displays Greek and Persian artistic influence.Artistically, the Ghanaian school of sculpture is said to have contributed wax. Y hair, drapery covering both shoulders, shoes and sandals, acanthus leaf decorations, etc. The pink sandstone Hindu, Gain and Buddhist sculptures of Mature from the 1st to 3rd centuries CE fleeted both native Indian traditions and the Western influences received through the Greece-Buddhist art of Kandahar, and effectively established the basis for subsequent Indian religious sculpture. [4] The style was developed and diffused through most of India under the Guppy Empire (c. Which remains a â€Å"classical† period for Indian sculpture, covering the earlier Lealer Caves,[5] though the Elephant Caves are probably slightly later. 6] Later large scale sculpture remains almost exclusively religious, and generally rather conservative, often reverting to simple frontal stand ing poses for deities, though the attendant spirits such as papayas and yaks often have sensuously curving poses. Carving is often highly detailed, with an intricate backing behind the main figure in high relief. The celebrated bronzes of the Chula dynasty (c. 850-1250) Portsmouth India, many designed to be carried in processions, include the iconic form of Shiva as Natural, [7] with the massive granite carvings of Manipulator dating from the previous Papilla dynasty. [8] The â€Å"dancing girl of Enjoy Dare†, 3rd millennium BCC (replica) Shook Pillar, Visalia, Briar, c. 50 BCC Stump gateway at Ashcan, c. 100 CE or perhaps earlier, with densely packed relief Hindu Guppy terracotta relief, 5th century CE, of Krishna Killing the Horse Demon Skies Buddha from Saran's, 5-6th century CE Hindu, Chula period, 1000 Marble Sculpture of female yaks in typical curving pose, c. 1450, Restaurants The Colossal tritium at the Elephant Caves Typical medieval frontal standing statue falloffs, 950-1150 In Khartoum Rock-cut temples at Lealer Copular of the Tail Natural Temple, Catamaran, Tamil Undue, densely packed with rows of painted statues Contents [hide] 1 Greece-Buddhist art 2 See also 3 Gallery 4 Notes 5 References 6 Further readingGreece-Buddhist art[edit source I editable] Greece-Buddhist art is the artistic manifestation of Greece-Buddhism, a cultural synthetics between the Classical Greek culture and Buddhism, which developed over a period of close to 1000 years in Central Asia, between the conquests of Alexander the Great in the 4th century BCC, and the Islamic conquests of the 7th century CE. Greece-Buddhist art is characterized by the strong idealistic realism of Hellenic art and the first representations of the Buddha in human form, which have helped define the artistic (and particularly, sculptural) canon for Buddhist art throughout the Asian continent up to the present. Though dating is uncertain, it appears that strongly Hellenic styles lingered in the E ast for several centuries after they had declined around the Mediterranean, as late as the 5th century CE.Some aspects of Greek art were adopted while others did not spread beyond the Greece- Buddhist area; in particular the standing figure, often with a relaxed pose and one leg flexed, and the flying cupids or victories, who became popular across Asia as papayas. Greek foliage decoration was also influential, with Indian versions of the Corinthian capital appearing. 9] The origins of Greece-Buddhist art are to be found in the Hellenic Greece-Bacteria kingdom (250 BCC – 130 BCC), located in today's Afghanistan, from which Hellenic culture radiated into the Indian subcontinent with the establishment of the small Indo-Greek kingdom (180 BCC-II BCC).Under the Indo-Greeks and then the Khans, the interaction of Greek and Buddhist culture flourished in the area of Kandahar, in today's northern Pakistan, before spreading further into India, influencing the art of Mature, and then th e Hindu art of the Guppy empire, which was to extend to the rest of South-East Asia. The influence of Greece-Buddhist art also spread northward towards Central Asia, strongly affecting the art of the Atari Basin and the Dunging Caves, and ultimately the sculpted figure in China, Korea, and Japan. [10] Kandahar frieze with devotees, hallucinating leaves, in purely Hellenic style, inside Corinthian columns, 1st-2nd century CE. Bunker, Swat, Pakistan. Victoria and Albert Museum Fragment of the wind god Borers, Haddam,Afghanistan.Coin of Demerits I of Bacteria, who reigned circa 200-180 BC and invaded Northern India Buddha head from Haddam, Afghanistan, 3rd-4th centuries Kandahar Poseidon (Ancient Orient Museum) The Buddhist gods Pancake (left) and Harriet(right), 3rd century, Kandahar Taller Buddha of Banyan, c. 547 AD. , in 1963 and in 2008 after they were dynamited and destroyed in March 2001 by the Taliban Statue from a Buddhist monastery 700 AD,Afghanistan See also[edit source I ed itable] Sculptures of Bangladesh Gallery[edit source I editable] Marble stone work, Jailers Gain Temple,Restaurants Seated Changes, sandstone sculpture from Restaurants, India, 9th century, Honolulu Academy of Arts yellow sandstone Sculpture of a Standing deity,11 the century CE,RestaurantsAsia and Africa Indian sculpture Buddhist sculpture Fife and Benign Europe Renaissance in Europe Baroque 18th century Africa and Oceania To be completed HISTORY OF SCULPTURE Timeline More Sharing Serviceable Share on backlasher on milkshake on forefathers on print World Cities Discover in a free daily email today's famous history and birthdays Enjoy the Famous Daily Indian sculpture: from the 3rd century BC The lively traditions of Indian sculpture date back to the first Indian empire, that of the Marry dynasty. Sculptors begin to carve characters and scenes from the stories of Indian's three interconnected animism. Religions -Hinduism, Bud deism and to a lesser extent Read more:http://www. Histor ically. Net/world's/Plenipotentiaries. Asp?Paragraphed=tidbits sculpture: 5th – 6th century AD Buddhism moves out of India and into Afghanistan (where the two great rock-carved Buddha of Banyan, from the 6th century, reveal the influence Afghanistan until destroyed by Taliban in 2001). It then continues east along thesis Arrowheads China. Paragraphed=edge#ixzz2c6zKdbCoForms Of Sculptures In India Indian sculptures of numerous sorts have evolved gradually. Since pre-historic era, the sculptures are everyday soaring new dimensions on India. Indian sculptures offer a truly diverse variety. The creation of sculptures aimed at fabrication of an undying piece of art which is long-lasting.As the sculptures of India Journeyed various eras and witnessed various dynasties, there is a vast variety seen among them in terms of styles and materials used. Sculptures of the Indus Valley The story of Indian art and sculpture dates back to the Indus valley civilization of the 2nd and 3rd mille nnium BC. Tiny terra-cotta seals discovered from the valley reveal carvings of appeal leaves, deities and animals. These elemental shapes of stones or seals were enshrined and worshipped by the people of the civilization. Two other objects that were excavated from the ruins of the Indus valley indicate the level of achievement that Indian art had attained in those days. The bust of a priest in limestone and a bronze dancing girl show tremendous sophistication and artistry.In the 1st century AD, the position changed somewhat radically in art and sculpture. The human figure replaced the symbolic representation of Buddha and his teachings. Though Buddha opposed the idea of idol worship, his cult image was established and became essential for acts of worship. The Mature and the Kandahar schools of sculpture imparted human form to Buddha image. To emphasis his divinity, this human form was depicted with features like a halo around the head, the drachma's engraved upon his palms and soles of his feet, and the lion throne representing his royal ancestry. These early stone images of Buddha are awe-inspiring in terms of size and magnificence.The link between dance, drama, literature and art became crucial to aesthetic expressionism in centuries to come. This new era in art and sculpture witnessed a unique fusion, a synthesis embodied in the caves at Junta and Lealer and the temples of central and South India. Located north-east of Bombay, near Arranged, Junta and Lealer are two astonishing series of temples ca centuries. Khartoum out of living rock over the course of fourteen The tranquil town of Khartoum, in the central state of Madhya Pradesh boasts of the best medieval temples in India, known all over the world for their erotic sculptures. These glorious temples are the state's most famous attraction.Amid green lawns and brilliant pink flowers is a complex of temples, glowing with the armor of sandstone and ornamented with the sinuous curves of sculpture unparallele d in their beauty. Out of the 85 temples built originally, only 22 survive today. These temples were created by the Candela rulers in the Indo-Aryan style. Elephant Caves The most profound aspect of the mighty Shiva is in evidence at the Shiva temple in the Elephant caves. Situated near Bombay, these caves present an introduction to some most exquisitely carved temples. One can witness a symphony in stone in praise of Lord Shiva, created by Indian's expert stone carvers of the sixth century.

Frankenstein by Mary Shelley - 640 Words

â€Å"During my first experiment, a kind of enthusiastic frenzy had blinded me to the horror of my employment; my mind was intently fixed on the consummation of my labour, and my eyes were shut to the horror of my proceedings. But now I went to it in cold blood, and my heart often sickened at the work of my hands.† (Shelley, 178) The Romantic Movement began in the 1970’s and ended in the 1850’s. One of the key ideas shared by Romantics was that a literal and metaphorical return to nature was necessary. They believed that the individual was the most important part of society. Romantics rejected the Scientific and Industrial Revolution. They believed that cities prevented individuals from discovering the sublime. Mary Shelley’s Romantic and Gothic novel, Frankenstein, opens with a series of letters from Robert Walton, an explorer, to his sister. Throughout these letters, Victor Frankenstein’s story is told. He was born into a wealthy family, and studi es at a well-known school, where he develops an interest in biology. Eventually, Frankenstein is able to bring corpse back to life. He is horrified by his creation and abandons the monster. The monster eventually kills everyone that Frankenstein loves and in doing so, he also indirectly kills Victor. The monster then feels guilty and kills himself. Frankenstein reflects the Romantic views of Mary Shelly. There are many Romantic elements in Frankenstein. There is the evident dehumanization of the Industrial Revolution. Shelley alsoShow MoreRelatedFrankenstein, By Mary Shelley1650 Words   |  7 Pagesbook of Frankenstein does one just think of a mythical science fiction book that really has no meaning? Frankenstein can have numerous meanings depending on how a person perceives it. Frankenstein can be analyzed into many themes; some say religion, feminism, or scientific symbolization, it all depends on ones own perception. When one analyzes further into Mary Shelly’s life and then interprets the novel it is obvious that is a sociological theme. One can simply assume that Mary Shelley creates FrankensteinRead MoreFrankenstein by Mary Shelley1093 Words   |  4 Pagesfaster than man can contend with. That argument is the premises, moral, and plot base for Mary Shelleys tale Frankenstein. On the other hand, J. Michael Bishops, essay Enemies of Promise   on the other hand promotes and boast sciences achievements. However, Mary Shelley presents her point of view subtly yet very dramatically, which is much more effective than that of J. Michael Bishop. The dramatic story Shelley creates becomes a part of the reader, therefore holding the readers attention. ShelleysRead MoreMary Shelley Frankenstein859 Words   |  4 Pages Mary Shelley The Creature in Mary Shelley’s â€Å"Frankenstein or the Modern Prometheus† needs a companionship as every ordinary human. Every man needs a woman, who will able to share moments of happiness and sadness, a woman who will be able to share thoughts and of course a woman who will be able to love a man. In this case the Creature needs a bride. But the problem is that the Creature from the â€Å"Frankenstein or the Modern Prometheus† is not a human. SoRead MoreFrankenstein, by Mary Shelley1138 Words   |  5 PagesIs Frankenstein a man, whose ambition led to a disaster; or a monster, which created a life with disregard for the human race? Frankenstein, in my opinion, was the monster not the life that he had created. Frankenstein never admitted to his family what he had done, never admitted responsibility for his actions. He might as well have killed Elizabeth, William, Justine, and Clerval with his own hand. The so called â€Å"Monster† only wanted companionship; he did not want to murder those people. TheRead MoreFrankenstein, By Mary Shelley1325 Words   |  6 PagesI have been informed that you are pushing to remove the book Frankenstein by Mary Shelley from the school curriculum. I’ve decided to write to you and explain why I believe that you are misinformed, and in fact, why this is a huge importance to the students of today. Frankenstein is a classic which recounts the life and horrors of Victor Frankenstein, as told through a series of letters and narrations. His obsession with the natural world and science brings him to a state of mind which ultimatelyRead MoreFrankenstein, By Mary Shelley1580 Words   |  7 PagesFrankenstein by Mary Shelley is a sci-fi novel written during the Romantic Movement in Britain’s early nineteenth century. The movement was stimulated by the French Revolution, Industrial Revolution and in reaction against the emphasis on reason in eighteenth-century Enlightenment philosophy (The Romantic Movement, 2014 ). Mary Shelley’s husband, Percy Shelley was also a romantic poet during the movement. Shelley’s novel is evidently influenced by her relationship with her husband, which is illustratedRead MoreFrankenstein by Mary Shelley739 Words   |  3 Pagesinterconnections of humanity, nature, and divinity (â€Å"Romanticism 1†). English Romanticism being trendy in Europe, people would vent their outlooks onto their personal fiction works such as Mary Shelley. Shelley uses vivid creativity and romantic elements to create one of her admired novels, Frankenstein. In Shelley’s novel, Frankenstein, most of the characters prove their compassion for mankind, prove their rejection of technology and science, and prove their involvement in a romantic quest. These several characteristicsRead MoreFrankenstein, By Mary Shelley1040 Words   |  5 Pages In 1818, a book titled Frankenstein was published anonymously, mysteriously dedicated to William Godwin, a prominent journal ist and political philosopher of his time. The immediate reviews of the novel were mixed, most edging towards critical, although no one knew who the book was written by. However, while Frankenstein failed to gain popularity immediately, no one had any idea the lasting impact this novel would have on the world. Despite the lukewarm reception at its debut, it soon proved to beRead MoreFrankenstein, by Mary Shelley1078 Words   |  5 PagesMary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however,Read MoreFrankenstein, By Mary She lley1532 Words   |  7 PagesLike any author, especially one who created a new genre, there will be criticism, and Shelley is no exception. Shelley received criticism surrounding Frankenstein not only because she was a female writer, but because of her writing style. Originally, Frankenstein was published anonymously and was thought that her husband, Percy Shelley, wrote it (â€Å"Mary Shelley Biography† 2016). Shelley may have published Frankenstein anonymously because â€Å"’women understood that they got a â€Å"better hearing† if it was thought